On the one hand “Time is Love
” presents itself as a multiple projection through which its creator, Kisito Assangni, proposes at each edition (the eleventh in this case) a new group of video artists. Neither the curator nor the artists are involved in installing of the exhibition, which from time to time reaches different places on a small budget. It is by nature an itinerant exhibition, migrant, nomadic, without links to a specific place. An underground exhibition, where the rules are almost completely lacking. “Time is Love
” extends between repetition and the difference that takes shape from the context where it is located. Time is love
, a title like a paradoxical manifesto, for an exhibition apparently without dialogue between guests (22 artists without any connection) and hosts (the organizers) but that succeeds in offering the viewer a series of reflections linked to contemporary global identity.